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Troy Pork Store

by Los Chinches

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    Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
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  • Compact Disc (CD) + Digital Album

    Comes in a 4-panel Digipak w/ original artwork by Diana Kolsky.

    Includes unlimited streaming of Troy Pork Store via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    ships out within 10 days
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1.
Nine Beers 02:40
The light in this barn is moldy Fix your eyes on the dust motes and reach for a coldy I think about my one and only, and it's here And it's a Nine beers in, and I'm nine beers out From touching something vital at the end Ain't that true my friend? I'll have the same again Pigs in a poke don't smoke But what else am I supposed to do? Sorting cans from one side to another Is both a dangerous and a boring thing to Nine beers in, and I'm nine beers out From the searing self-reflection that I'm gunning for What's that you say, my friend? I'm gunning for the floor Tinkle at the piano shadow darling Me and me just need some company I'm hoping that you know the one where someone drinks the sea And it's upbeat, because that's Nine beers in, and I'm nine beers out From the ending I've been waiting for so long Is that a light? Has it been long? And that's my song
2.
Upon this bed of stones I lie Copper covering my eyes Silver river rushing by My little hotel in the sky Angel maids they all say "hi" Some I loved and some I lied to No need to apologize You already took the ride Up to that hotel in the sky Up to that hotel in the sky We all get there by and by My little hotel in the sky Checkout time it never comes The worms they dig into my gums You don’t have to leave a tip Into the kingdom we all slip You don’t have to pay the bill For the soldiers that you killed The temptations you fulfilled Or the wine that you spilled In that hotel in the sky In that hotel in the sky We all get there by and by My little hotel in the sky See my bride dressed in white Waltzing in the moonlight My heart trembling with fright Who is that stranger on her right? Satan comes and Satan goes Dressed in all the latest clothes The sun shines the wind blows Where it goes now I know Up to that hotel in the sky Up to that hotel in the sky We all get there by and by My little hotel in the sky
3.
Eggs and leeks don't ever speak Of the harmony between us With your cowgirl eyes and your punk rock style I wait all week on pins and needles Your laughter is like riding on the plains On a horse with golden mane One more hipster brunch like this is gonna do me in Working 'neath a woman who must be much more than a friend Can you bring up some champagne for my Sunday morning pain? Got a vision of you in my Tom Waits T-shirt, hanging past your hip like a nightgown Bloody Marys are the least of the things she carries On the breast of her worn-thin hooded sweatshirt She moans and she complains, "Eight more hours of this shame" I can promise this much, that it won't hurt In a little Texas town by the name of Houston Someday, our flock may be a roosting One more hipster brunch like this is gonna do me in Working 'neath a woman who must be much more than a friend Can you bring up some champagne for my Sunday morning pain? Got a vision of you in my Tom Waits T-shirt, hanging from your hip like a nightgown
4.
Walk down those stairs, don't forget to latch the door I see a pianio And some bottles, I forget for what they're for Dirt floor A Piermont basement is an island But metaphor ain't like to likely sell Better off with simile, no, semaphore Greeting the last bell with a go to hell Rocks and sand and sea smell, tides River bank and bridge so high Petroleum, we don't give a damn Our corrective is some slow-cooked morning bacon A Piermont kitchen has an island It's just the dishwasher with a top That's where we make eggs and mix Nathaniels Hey man, where's your plate and where's your cup? Let's board the windows, don't forget to lock the door Sweep the porch and check the yard Leave the pianio, forget what that was for And scope that river view one last time A Piermont basement is an island And so it goes for a Piermont house Everything you've done here is a shibboleth A sign that signifies Everything is well We are all together till we go to...
5.
When I was just a lad, didn't have no debts I had to pay Started walking loud and proud down that King's Highway I guess I just left too many crumbs on my trail Now many debts are many and I got wolves on my heels Time is on my side but my burden is on my shoulder Got to get back to California before I get too much older I may find relief in a house along the road I may find a friend to help me carry that load I may find a stream in which to wash myself clean I may find a pillow and escape to the dream The women in Schenectady always turn their necks to me That's the way they glue you up in Skunktown, yeah At least they don't lead you on, drag you home then cut the line That's the way they'll screw you back home in Stumptown, yeah When I was just a lad didn't have no debts I had to pay Started walking loud and proud down that King's Highway I guess I just left too many crumbs on my trail Now many debts are many and I got wolves on my heels Time's still sliding by but my burden still sits on my shoulder We got to get back to California before I get too much older
6.
"We're all in this together, ain't none of us getting out alive" Is a weird thing to say for a liquor store clerk At a mini-mall in Wappingers Falls Right near the Hyde Park home of the Roosevelts (I knock, hello) Is this the agency to adjust my expectations And open a door to the land of hogs and carousels Or get in the whip And just drive? Riding in my tan-gold Ares And Dewey is steady in the clutch The bench seat holds a box of tapes and a Radio Shack boombox It's not much, but I like it The sweet smell of failure is familiar Ain't none of us getting out alive Well sure Route 9 looks a little sinister But I've got time, and there's wine in Tivoli I seek a home on a bridge that spans the Upper Hudson Let my thoughts just float like trash down to the ocean Dredge 'em up and drop 'em on a Piermont shorefront, if you want But let me and Dewey just drive "We're all in this together ain't none of us getting out alive" Is a weird thing to think if you're one of us living But a comfort to those who've just died
7.
Tragic Light 04:43
Tragic light An hour before night Tragic light That's the light I never see you in People coming home from the office Stop at the store Oh what for Eating alone, leaning up against the kitchen counter Tragic light Just an hour before night Tragic light That's the light I never see you in Sitting in my car in the traffic Thinking of you And all the things that we could do Like read the paper, walk the dog, go on vacation Oh this frustration This tragic light It's the light I never see you in Tragic light Illuminating all the blight Of our lives And the city Oh it's so pretty It'd be prettier with you This tragic light That's the light I never see you in We could be collaborating We could be just gravitating Toward each other, oh You're such a mother, oh That's the light I never see you in
8.
Time Zones 02:55
I got a woman who loves me On the other side of the world Here in New York City I ain’t got one girl She calls me in the morning For her it’s late at night She tells me she’s been thinking about me She thinks that I’m alright I work hard for me baby I send her Valentines But I’m all alone in my one-room home Drinking Balantine Sometimes I don’t want to remember her I wish I could forget That there’s a little pearl across the world Whose love I can’t neglect Well she goes to sleep and I hit the streets Something don’t feel right Gotta back to my baby before the morning light No looks from passing strangers No date on Friday night I’m living for a day that may never be I’m saving for a flight I call her in the morning For her it’s so late at night I tell her I been thinking about her I think she’s outta sight Well she goes to sleep and I hit the streets Something don’t feel right Gotta get back to my baby before the morning light
9.
When I Give 02:41
When I give acne and addiction to my children Will they move out to San Francisco? Will they tire of the bay and move on up into the county And be happy? Will they grow pot and on to be hale and hearty Cured like redwoods in the brine Tire of the life, take up with a wife And be married? New York Is shit for rhyme Maine has a way In a day will make you happy Vermont plays it's part Though the people there are wacky And Californ-i-a Sacraments though, and Palo Alto The Tenderloin's fine And the bridge I'll make you mine And the County I had beer and beans and franks on the beach Somewhere south of Patrick's Point The cooler was warm but the people there were charming And I laid down We drove through a tree and made it to Eureka Hurried up to Crescent City The geezer at the door Said the lost coast is lost for a reason (And he bought us a paper) New York Takes too much time If I had my way I'd pack it up today Set out for LA But turn north along the way Around Albuquer-u-e The strip in Reno and Lake Tahoe Sacramento In and out and and on the go And the County When I give acne and addiction to my children Will they secret me in Humboldt County To grow old with the fog and maybe have a dog Or a puppy?
10.
I long to be between rooms with you Where the air flows through and our thoughts are few I long to be between rooms with you Between what we’ll know and what we once knew I long to be between rooms with you In the doorway we stand but we can’t walk through I long to be between rooms with you In the darkened hall dancing shoe to shoe I long to be between rooms with you The things I’d do for you if you’d just let me to I long to be between rooms with you The fire in our hearts under midnight blue I long to be between rooms with you It’s the song we’ll sing when all the words are through I long to be between rooms with you And all that’s left is just me and you
11.
When I’m not crazy and you’re not loaded we’re a perfect fit When I’m not loaded and you’re not distracted we get into it Brothers in barns Tallying the charms Of the Midwest river valleys plains and stars Of the Midwest river valleys plains and stars Saoirse from St. Louis has long brown hair She put a picture on the Internet for all to see Well, I think that she’s pretty and I like the haircut But I don’t think she’d go for guys like you and me Brothers in barns Tallying the charms Of the Midwest river valleys plains and stars That girl at the Atlas, I forget her name She makes eyes at me like it was her job That's the girl for me, love of the century We could make each other happy like it was our job Brothers in barns Italian charms Of the Midwest river valleys plains and stars Out here in the country I'm a perfect fit but if we don't go for beer soon, Goodnight Moon Here's the keys to the Dodge, best get going now If it were an Ares I'd get into it Brothers in barns (wah-oh) staring at the pavement Brothers in barns (wah-oh) wondering where the day went Brothers in barns On the Midwest river valleys plains and stars On the Midwest river valleys plains and stars
12.
Fragile like a subway train A thousand hearts in pain She emerges from underground And I discharge the rain Wayward like a whooping crane Every town’s the same Is she lost or homeward bound The anchor or the chain Fragile like a subway train A thousand hearts in pain She emerges from underground And I discharge the rain

about

LOS CHINCHES, the only group ever described as a "Pavement-meets-Dead Kennedys" revelation, were born upon the reunification of long-lost friends Harry Kimball and Jay Boss Rubin. Kimball, a lifelong Manhattanite, sings in a rich low tenor that's as world-weary as it is whimsical. Rubin, from Portland, Oregon, brings to the band a hope-tinged West Coast howl. TROY PORK STORE, their debut album, is a variety pack of boozy singalongs, musings on the afterlife, anti-brunch ballads, unrequited love anthems and more. Nine out of 12 tracks were recorded by legendary punk/hardcore producer Don Fury at Don Fury Studios in Troy, NY.

credits

released August 21, 2015

All songs by Los Chinches (Jay Boss Rubin and Harry Kimball).
All tracks except "Hogs & Carousels," "When I Give" and "Between Rooms" recorded + mixed by Honorary Chinche Don Fury at Don Fury Studios in Troy, NY. "Hogs & Carousels" recorded by Reynolds Barr at GWB Studios in New York, NY and mixed by Don Fury. "When I Give" and "Between Rooms" recorded and mixed by D. Neil Blake at Blue Velvet Goldmine in Portland, OR. All tracks mastered by Don Fury.

Credits:
Harry Graff Kimball: vocals, guitar, bass, synths
Jay Boss Rubin: vocals, guitar, melodica
Benjamin West: guitar on tracks 1, 3, 11
Robbie Aldworth: drums on tracks 1, 3, 11
Max Usata: drums on tracks 2, 8, 12; back-up vocals on tracks 8, 12
M: guitar on track 7
Lou Caramella: drums on tracks 9, 10
Chris Fanshier: bass on track 9
Photos by Emily Fromer
CD artwork + design by Diana Kolsky

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Harry Kimball Lisbon, Maine

Harry Kimball is a singer-songwriter and multi-instrumentalist whose compositions carry a wistful melancholy tinged with dark humor. He borrows from John Prine’s sepia realism and Warren Zevon’s playful world-weariness, adding the lyrical density of Stephen Malkmus and the literary sensibilities of Bill Callahan. Follow Harry on Facebook + Instagram @ harrykimballsongs ... more

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